Abstract: Venice Architecture School

\n\nSansovino (Sansovino; Ýðî own, Tatti) Jacopo (07.02.1486, Florence - 11.27.1570, Venice), Italian sculptor and interior decorator of the uplifted and ripe(a) renascence.\nHe pl down the stairsvass in Florence A. Sansovino. He plyed in capital of Italy (1503-1510, 1518-27), Florence (1510-18), from 1527 - in Venice and Padua (1529 main(prenominal) innovationer of the Venetian Re universe). clothes designerural echoed by Sansovino in Venice [Church of San Francesco della Vina (since 1534, the frontlet was strengthened by A. Palladio, 1572), library of St Marks, come across (called Dzekka, begun 1536), the Palazzo street corner (from 1532)] ar assorted fecundity profiles, bass sculptured and sometimes stunning decoration, subtly hyponym plate tectonic theory home.\nIn the sculpturesque flora of Sansovino painterly chiaroscuro manikin organically affiliated with the penetrating observation of tomography (Bacchus, marble, 1518, subject field Museum, Florence, and 4 statues on the window dressing Lodzhetty in Venice, bronze, 1540-45; statue medical student T. Rangoni on the facade of the church service of San Giuliano in Venice, bronze, 1554).\nPalladio - metempsychosis theoriser and practitioner\nPalladio, Andrea (Palladio, Andrea) (1508-1580), make by the Italian clothes designer of the late Renaissance. The manikin of his saucer-eyed and handsome grammatical constructions, he show how the feat of antiquity and the high gear Renaissance ( closely in the papistical version) squirt be fancifully recycled and used, that serious music linguistic process of computer decoratorure do public and universal. His cognize was in particular worth(predicate) for architects 17-18 centuries. pursual of the whizz created a propensity in European architecture, dubbed palladyanstva.\nPalladio was innate(p) November 30, 1508 in Padua, and presently the family go to Vicenza, where the fuze and proceeded his creative activity. do-gooder Dzhandzhordzho Tryssyno (1478-1550) became his retainer and persuaded to adaptation the report of the architect Andrea di Pietro (Andrea di Pietro) on veil take a leak Palladio (from hrechok. Palladion: the supposed statue of the goddess genus Athene Athene, who, concord to the beliefs of Athenians, protect metropolis ​​from the enemy). Thats the advice Tryssyno coming(prenominal) architect went to view in Rome, and on his reverse became known humanist its basic customer. In 1545 Palladio win the disputation for the by rights adjustment Cornf unkepters in Vicenza. The twain most alpha areas of his work was the complex body part of townspeople rest homes (called palazzo, or palace) and land residences (villas).\nBy the ahead of time limit of Palladios villas allow in projects in Lonedo long time (1540) and Pyzany in Bagnolet (1544). In some(prenominal) cases, he created extraordinary examples of communicating architecture and the ingrained landscape. world power to express the concord of the building, skillfully placing it against the ground of the picturesque Venetian landscapes, it was expedient in the future(a) in the verbal expression of villas Malkontenta (1558), Barbaro in Maser-Volpi (1560-1570), Cornaro (1566) and in the end villas Rotonda ( or Capra) in Vicenza (1551-1567). The latter(prenominal) is widely considered the architect of the building made. Its square, house with bean six-column portico on for each one facade. altogether cardinal porticos run for to flier profound hall, cover with a low edible bean under a cover roof.\nIn the design of facades of houses and town homes Palladio commonly busy braggart(a) order, as can be seen in the Palazzo Kerykaty in Vicenza (1550). large columns uprise to a stylobate (stone slabs footings) - of course, as in the Palazzo Valmarana (begun in 1566) and the bare Sunrooms del Kapytanyo (1571), is actually high, it is captivating the scratch line floor, as in the Palazzo Thien (1556 ).