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Sunday, November 3, 2019

Describe in Detail any Garden or Landscape Design Surrounding a House Essay

Describe in Detail any Garden or Landscape Design Surrounding a House from the Period Covered by the Coursee period covered by t - Essay Example It must be stated that if one desires to ignore other gardens that were also in existence during the period, one should not ignore the Vaux-le-Vicomte. The Vaux-le-Vicomte alone is enough to explain the principles of gardening of the splendid and graceful age in which it was constructed. The chateau qualifies it as the most significant work built on the European continent in the mid seventeenth century. The house also stands as one of the grandest building in France that was built after Chateau de Maisons. For such a grand structure, one would expect to encounter a similarly grand landscape and garden. As far as this is concerned, Vaux-le-Vicomte does not disappoint in any way. Vaux-le-Vicomte is a nice building that has pavilions surrounding it. The structure also has a fortification in the form of a large moat around it. Many of the chateaux to the north of France are surrounded by a moat, which is rectangular in colour on three sides. This is also the case with Vaux-le-Vicomte, on ly that in the case of Vaux-le-Vicomte, the axial arrival avenue continued across a bridge, leading to a public space. In line with the norm during the period when the structure was constructed, the layout is symmetrical and firmly incorporated, with a somewhat projecting central block and ending marquee, and two returned wings that project forward. 2 The gardens of Vaux-le-Vicomte are so grand that it covers about three kilometres. As far as the gardening tenets of that period were concerned, the landscaping of Vaux-le-Vicomte is a great advancement. One of the most amazing, yet pleasing, features of the structure, that is, the buildings and the gardening, is that there is a successful blend of architecture with the environment; this may not have been a feature that was coming during the seventeenth century. In the garden, there is an enormous area which is divided into a succession of terraces. These terraces form diverse assemblage of pattern based on shrubberies, lake and founta ins, Turkish carpets and so on.2 Vaux-le-Vicomte On entering into the Vaux-le-Vicomte, one is greeted by a wide green space. The green space extends to a length to about 5000 feet. This is evidence to show that green occupies a significant position in the mind of those that designed the gardens.3 The unique way in which the garden is designed is such that the viewer would make the embrace or better still literarily the garden along to anywhere they would like to go. This is the case because of the outstanding use of optical illusion and perspective. On gaining entry into the property, one would observe grotto which would be very close to a lake. However, on gaining entry into the property, the same grotto which appeared to be close initially would be far. In fact, the planning that was done is such that the grotto is more than six hundred feet away from the canal which is on the other side. As a result of the largeness of the property, there are electric cars to aid transportation. Vaux-le-Vicomte Another part of the garden that is affected by this motif is the pool. When standing at the back of the chateau, the reflecting pool is more tapered at the closest point than when standing at the uttermost point; standing at the uttermost part makes them appear nearer to the point of view. What one then observes is that when the landscape is viewed from a particular angle, the distortion which was intentionally premeditated into the scenery essentials produces a forced

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